Wednesday, October 19, 2011

Jerry by Hobie Anthony

Hey folks:

Glad to see ya. Here is a subtle piece of flash from Mr. Flash himself, Hobie Anthony. What I love about Hobie's work is that it isn't flashy. It doesn't showboat, but there's always a razor or two that'll cut you. And later that day you'll wonder why you're still bleeding.

Enjoy,

XOXOXO
DSH



Jerry paced back and forth, a towel wrapped around his left fist, waiting for another customer to walk down the stairs to the basement bar for a drink. He wrapped the towel tighter and let out a sigh, all he had was two barflies, a couple of low-lifes who couldn't see fit to leave him alone on a Sunday night. It was getting on to 2am and Sports Center was showing the same old highlights it had for the past, well, for a while. He pressed play on the cd player and Whisky River came to life.

He checked his watch. No call from Marnie. He tightened the rag.

Jerry poured more brandy and refilled his glass of beer. He wrapped the towel tighter. Jerry looked at the television to see another incomplete pass from Favre and punched the bar.

The door opened and a group came in. He knew their drinks from memory the second he laid eyes on them, a few different beers and a couple highballs; he gave them a good price and made a clean fifteen bucks on the tip, putting his jar at about fifty bucks, judging from the looks of the jar so far. He could maybe break even for the day if more people came in, and came in quick.

The two barflies at the end looked around nervously and ordered a pitcher and two whiskys each.

At two fifteen, a crowd started streaming in. More bar people from up and down the street. There was the buxom blonde with the big, Cheshire-cat grin whose laugh echoed off the drop ceiling and popcorn-covered floor; the kid with his arm in a sling; the guy with awful bleached-blonde hair that he had cut himself after too many cocktails; the guy who usually kept quiet except for when he was too loaded to know better. There was the girl with the lazy eye and dreadlocks who propositioned him one night, a blow-job if he'd give her drinks for free after hours. That offer stood good.

He talked to the Cheshire-cat blonde. About Marnie. She gazed into his eyes and told him to bring shots for the two of them.

The tap poured and shots were filled and refilled again as bottle caps went flying towards of the trash, landing on beat to the jukebox. Games were played and change was made, and the tip jar filled with ones and fives and tens. No time for brandy. No time to think about that young thing who split, left town without the courtesy of a good-bye. Nothing to do but tighten the bar rag, wipe up spills and empty ashtrays until last call.

Hobie Anthony writes prose and poetry in Portland, OR. A native of the South, prodigal son to Chicago, and new NorthWesterner, he seeks to understand this America. He can be found or is forthcoming in such journals as The Los Angeles Review, Crate, Prime Mincer, The Other Room, R.kv.r.y., Ampersand, Pank, Prime Number, and Soundzine, among others. His novella Silverfish can be found here: SILVERFISH

Tuesday, October 4, 2011

Still Open for Business and Other Random Things

Howdy Folks:

Where the hell did last month go? 

Here is a short list of things I meant to blog about.
  • Essential tools for self-pub
  • Batman vs Superman
  • Human Spirit/Space Shuttle
  • Ten Random Facts About Me
  • Great Indie Books I've Discovered
  • A new flash fiction piece.
Some will come to fruition. I'm planning to do the Space Shuttle one shortly and hope it makes it into Digital Americana Magazine. I do not have a piece in the upcoming issue. Mostly due to the fact the piece I was working on just didn't gell. Perhaps I'll revisit it at a later date.

In the meanwhile, I've met some cool like-minded and talented folks over on Twitter (@DavidScottHay). I'm trying to be more interactive there and less book book book. As far as Arson Books, we're a little behind on the revamped website which is a bit of a bummer, but folks gots jobs and gotta eat. I'm eyeing a few authors to approach about putting out their books on our 'label'. But these things never happen quick enough.

I've had another great month for the eBooks. Met my goal and the numbers are now demanding that I put out a paperback version of FALL complete with the new illustrations (see a previous blog). Hope to have it to market by Thanksgiving.

Work on the spin-off (Hell's Gate) and sequels (Winter, Untitled) has slowed due to a screenplay gig (Star) and an impending production of my co-authored Civil Rights play The Marker in Feb. We're still editing and polishing, but have to get a version out ASAP to the director and designers. The screenplay is at the 1/2 mark and I hope to have a rough done by the end of Oct/mid November with an official broadcast after the holidays. Very excited to be working with this producer. She's a go getter and world traveler.

I was slated to crank out the novella of Hell's Gate in November. That could still happen (yeah, right) since it's mostly outlined, but I think the play and screenplay and its rewrites will take me through the end of the year. It's good to be busy. But I'm still scribbling notes for the FALL  books, so it's not a complete stand still. Page generation will probably start in the spring though. Or late winter. Or summer. Heh.

Thanks for checking in.

I'll post a new piece of flash, shortly.

xoxox
DSH





Friday, August 26, 2011

Ruby by Hobie Anthony

Howdy folks:

Premiering a new piece of visceral flash fiction by Hobie Anthony. It'll stick with ya.

xoxox
DSH



The snow had finally melted and warm rain came down to swell the river, flooding the countryside. I was glad to get out of the house into the back yard and walk on the soppy ground. I took trash to the can in the alley and a burrito wrapper fell from the bag. I leaned over for the trash and there it was, the horror and surprise of it; there lay a woman's ring finger still with a man's ruby ring between the knuckle and the bloody stump. The woman's nail was torn and jagged as though it had clawed something rough and hard.

The finger was perfectly preserved by the cold and felt like it was beginning to thaw, how frozen meat will feel mushy on the top but solid towards the frozen, bony center. The ring fell off onto the ground. The ruby was clear and flawless, perfect in a gold setting.

There were no tracks around the site, they had vanished into water. Had the finger been carried there on foot or in a car? I thought back. Maybe I'd heard a car the night before last, while we were arguing over wages missed due to snow-days or sloth. But, maybe that was a wishful memory, implanted to forget some point of truth or fact my wife had pointed out. She was good at that.

I could see her there at the window, doing the dishes from last night, dishes we left to soak when we'd moved into our third beer and I'd opened the whisky; she had dealt the cards for cribbage and we ended up on the floor, her knees were cherry red this morning.

I took the finger and rubbed it between the palms of my hands. The blood thawed and oozed a bit. I wiggled it a bit at the joint, and I kissed the jagged nail. I cleared a hole and pushed the finger deep into the middle of the garbage bag; I held the ring in my pocket, flipping it over and over.



Hobie Anthony writes prose and poetry in Portland, OR. A native of the South, prodigal son to Chicago, and new NorthWesterner, he seeks to understand this America. He can be found or is forthcoming in such journals as The Los Angeles Review, Crate, Prime Mincer, The Other Room, R.kv.r.y., Ampersand, Pank, Prime Number, and Soundzine, among others. He is now focused on putting together a new book.



Monday, August 22, 2011

The Hulk and I by Martin King


Howdy folks: 

We have a guest blogger (our first!) today: Martin King. He is zipping around the internet doing 100 guest blogs in a 100 days. Check out the link below for even more. But enjoy this one.  

xoxox
DSH



Today’s tale we are going to touch on TV programmes. What for, we’ve already had one of those. True, but then TV was a big part of a child’s life or perhaps more to the point made a lasting impression.

It is hard to imagine what television sets were actually like back then. I mean we had a fourteen inch portable that came with its own, inbuilt indoor aerial. But if you thought that was bad enough, my mate had one of those TV combination sets. For five minutes they were ‘the next big thing’, you know they had a radio, cassette deck and mini eight inch screen all built in.

But back to my black and white set with a dial for changing channels. If you wanted to turn your set over, it had a dial on the front a bit like a radio station tuner, but for the TV channels.

So now I’ve set the scene picture this (sorry for the pun), every program we watched were in black and white. Now one of our favourite programmes was the 70’s rendition of the Incredible Hulk. Every week chartered an episode of Dr. David Banner going from town to town and giving a bad guy the what for. And at the vital moment he would turn from a normal guy into this big, pale grey monster.

Wait, let’s just rewind...doesn’t the Hulk turn green. Well true, but not if you have a black and white set. Every week we watched it, we never saw him turn green once. That is until one Saturday our family were invited around to a friend’s house for tea. Yippee! Me and my sister couldn’t wait.

So the big day arrived and we went round to this family who were friends with our parents. And yes, they had a colour TV. So at the usual time we arranged for them to put in on and see him green for the first time. To our horror, the night’s viewing had been disrupted due to an election. How inconsiderate!

Yes, you’ve guessed, we never did see our hero Mr. Banner turn green. How sad.

-- Martin King


[Editor's Note - The original color of the comic book Hulk was gray.] 

These blogs are all about fun and sharing. Thank you for reading a ‘#100blogfest’ blog. Please follow this link to find the next blog in the series: http://martinkingauthor.com/blog/7094550076

Sunday, August 21, 2011

FALL: The Art of the Book…


Howdy folks: 

As an old school fan of fantasy, I was always delighted to find a book that had a handful of illustrations, the most prominent in memory being, of course, the wonderful work of John Howe and Alan Lee on The Lord of the Rings.

Though we devour words, an occasional work of art inside a fantasy tale is such a delight.

I was lucky enough to hook up with renown UK fantasy artist Sandara Tang for the cover to FALL: The Last Testament of Lucifer Morningstar (The Fallen Trilogy: Book One). To be honest it was an existing piece I saw in her portfolio, but it was perfect for the book.




We worked out a licensing deal and I tweaked for my purposes. I needed it to be a bit brighter to make the text pop and make sure the cover itself didn't wash out as a thumbnail for the various sites. As you can see by the finished cover, I also flipped it so the text flows into Lucifer's body and you're not fighting where your eye gets pulled.



 I love her work so much that I commissioned some original artwork for the book. It was hard picking a handful of scenes to illustrate. I didn't wan them to be all action. So I tried to find a good mix. It was very difficult as my wish list o f must have scenes grew to about a dozen.

In the end I selected 4-5. Here are a sample of a few of the roughs she sent me for approval. With my comments.



 The Mark of Cain. In the story it's described as a silver circle. In the early ebooks, it was a clip art type thingy with a circle and a dot in the center. ZZZZZzzzzzz. So I asked her to give it some flair. i didn't give her any notes on this as I though ti was perfect. Note a touch of asymmetry for the left and right hand sides of the designs.  You're looking what just might be my next tattoo.


Although I love this one of Honeybone hanging from the Tree of Life in Eden, there was some miscommunication. The pose, hair, and clothes have been completely redone, but this was certainly an impressive piece. And remember these are just QUICK SKETCHES to get the composition down. I've since seen the new one and it's killer. Oh boy…

And then we have this one….


This is Lucifer returning home. That's Michael in the BG getting pissed and next to him is our gimpy angel Duma. We went back and forth on a few details. I pointed out we needed his dagger, which is key throughout the story. She added a sword which I thought was great. I don't know how I missed it on the first go around.

I'm excited to see the final art work and get it into the book this autumn. I  may even post a piece here.

In the meantime… just $1.01 for the rest of the summer.

FALL: The Last Testament of Lucifer Morningstar (The Fallen Trilogy: Book One)

Thanks,
DSH

 DSH is the author of the postmodern literary novel FOUNTAIN*  as well as two genre books Cloning Christ and FALL: The Last Testament of Lucifer Morningstar as DS Hay (clever, huh?).


He is also a Contributing Editor for Digital Americana Magazine.

And is currently co-authoring the Civil Rights play THE MARKER with David Barr III and Glen Jeffers, slated to premiere Feb 2012. david@davidscotthay.com

Thursday, August 18, 2011

Orange Sexy Orange by Anna James


Howdy folks:

Thanks for the all the hits, views,  and support for my flash fiction postings. I simply love getting these favorite writers of mine out into the world.

Expect big things from them in the future, the near future. This story here is a delight. I can't wait for Anna's new novel THE CLOTHES GOD MADE FOR ME to be released into the world. 

xoxox
DSH

There is an orange in my hand.  I feel its dimples and its wet skin and when I press my nail into the flesh, the tangy energy inside is released.  It’s clean and almost antiseptic and I carry something citrus in my left hand every day.  Could be lemon, two.  Could be lime, two.  Today it is an orange.  There is a pack on my back, slung over my left shoulder.  It brushes along my torso and when I walk it bumps against my rib and pinkens my skin.  In the bag I’ve got a computer, black wire, some lipstick sexy and a comb.   A banana muffin wrapped in a napkin disintegrates with every step I take because the wire sexy and the lipstick rub against it.    Reduce it to crumbles.  There is a mole on my cheek below my left eye.  When I was ten, my mother darkened it with an eyebrow pencil.  Sexy she’d say.  Wear these shoes she’d say.  They show off your shapely foot.  Add lipstick and a gloss.

Almost home and it’s no accident the neighbor’s hose comes alive jerking and spitting like a cobra at my ankles.  Bill grins and continues to turn the screw and the pressure builds and rises and not being one to run away sexy I step on the rubber with my heeled shoes but the brass end bites my leg.  He looks at me.  I look at him.  Drip drip drop the hose.   Purple, black, blood bruise filling sexy like a kiss, sexy like a bite.  Soaking wet curl points to my mouth.  Good day I say to the neighbor leave him wanting more.  Know sexy he’s watching me walk away.  Glad I’m wearing these shoes, squeezing this fruit.  Look over my shoulder.  Drip.  Squeeze.

 Locked the screen door behind me.  Locked the storm door behind me.  Roll the orange in my palms.  The doorbell rings.   Tug fruit out of snug skin.  The doorbell rings.  Pull apart the flesh in 12 tidy sections.  A knock on the door.  Stroke my tender rib and eye the juicy parcels on the counter lined up and waiting.  Cut open a can of asparagus with strong sexy pumps of the wrist pumps of the wrist pumps of the wrist and pounding on the door nibble sexy just the tips of twenty four thin, limp asparaphallis sexy.  

Hello the neighbor says waving through the window watching me eat.  Black wire coils within. There are lemons in my hand.  They’re clean and antiseptic and my bag rubs up against my rib.  I watch through the glass.  Roll lime through my palm.   He stops knocking and watches me eat.  His hand frozen at a fist on my window. He’s still and this is what I’ve been sexy holding out for.  

I open the door.  My clothes are wet.  My eyes are brown.  Juice from the orange drips sexy on my chin.  His hair is red and curly.  Red brow, red beard, a forest of red chest hairs.  I point to the couch and in comes Bill like a red flame, a ball of fire with that red hair.  A pomegranate.  An apple.

He ignores the couch.  Comes at me gape mouthed like a fish.  Like a pickerel, big wide smile.  I return his kiss sexy smiling like guppy, lick like lizard, tongue like fire.  You taste like orange he says.  Clean he says.  Bill tastes like pickerel.  Algae and watery grave.   Let’s get you out of these wet clothes, I say.  Cut right to the chase, he says.  He smiles and I see a glint of silvery hook in his cheek.  You’re a stunning girl, Bill says.  I’m a woman, I say and unfasten the button of his pants with my teeth.  You sure are, he says. 

We finish and I dress in white cotton panties, white cotton bra with a little red cherry at the clasp.  Walk to the counter, stuff orange peel between my teeth and gums.  Look to Bill and reveal a wide, orange childish smile.  Bill laughs and jingles his belt buckle closed.   Hook is out of his mouth and snagged on my own lip.  Bound in my mother’s corset of orange sexy orange.   

Anna James has won various local awards for her fiction and poetry and has been published in Alehouse 2009 and The Groovy Chick's Road Trip to Love.  She's an English Instructor and can most likely be found hiking the mountains of WV or agonizing over her new novel.  You can reach her on FB at Anna Dickson James or by email at annadicksonjames@gmail.com

Wednesday, August 17, 2011

The Long Season - My Baseball Memories by David Scott Hay

Howdy folks, 

This is sneak preview of a creative non-fiction piece that will be published in the next issue of Digital Americana - a Literary & Culture Magazine, the world's first tablet only magazine. Cool stuff. 



xoxo
DSH


I am 10. My best friend, Tim Houchin hits a line drive to my chest. I fall back into a fire ant pile. Littered with cockleburs.

I am 26. I get called up to fill-in for the company softball team. I go 4-4. Six games later, I start a bench-clearing brawl. The opposition showboated at home plate. I am the catcher.

I am 30. First trip to Wrigley. A perfect day, perfect beer.  It is magical and inside the park is advertisement free. A shrine, a cathedral. Pure. I empty a third of my checking account to buy a Kerry Wood jersey.

I am 35. I learn a bit more of the art and science of baseball. I hate Wrigley. It’s an outdoor beer garden. People yammer about nothing, not even watching the game. It’s a social event. It’s expensive. I jump ship to the Sox. The year is 2005.

I am 12. The big Sixth Graders vs. the Teachers game. I am fat and slow. I bunt. I make it to first base safely. Am then called out for bunting. I call bullshit. But hold my head up.

I am 33. I take a Rabbi Bucky to Wrigley. It’s his first. Through a quirk of weather and timing, it happens to be a double header. The Cubs need to win both and someone else needs to lose two. We are on the second level. Everything that needs to happen happens. Cubs win their division. The sun is at the Magic Hour. From our seats, the boats on Lake Michigan glow. It is a perfect moment.

I am 38. My buddy Jeff and I go last minute to a Sox game. Run into a playwright friend with access to a luxury box. He convinces the gatekeeper we are VIP. From said box, snacking on caramel apples, we watch Mark Buehrle throw a no-no.

I am 27. Tie game. Bottom of the ninth, one out, and the guy on deck is oh-fer. No matter how hard I swing I always hit just over in the infield. The other team fails to note this and adjust. I hit a game winning RBI.

I am 35. That game-winning RBI story is reenacted 30 times on a Chicago stage. The Chicago Sun-Times gives me the best review of my career.

I am 36.
PART I - I am at 30,000 feet trying desperately to get the deciding Game 4 of the WS on the airplane radio. It’s static and dead space interspersed with numbers and last names. Dye. Konerkno. An alien transmission filtered through a schoolroom fan.

PART II - My wife picks me up. “I set the VCR ‘til 11:00 p.m.” I watch the tape. Top of the 9th. Jenks goes into his wind up. He throws. Static. It stopped recording at 11:01.

PART III - Spotty Wi-Fi at her hotel. At least I’ll make the parade. It’s Tuesday. I return on Wednesday.

I am 42. I buy my girlfriend, a former Master Electrician (and Cubs fan) Sox/Cubs tix for an early birthday present. A monsoon hits in the 5th inning and we go home soaked.

I am 29. Playing XBox baseball. I hit a single and keep running despite the obvious single. My opponent gets flustered trying to throw me out. I steal three bases and score a home run.

I am 34. I’m visiting friends in Tulsa. With Kerry Wood on the mound, a man named Steve Bartman does what any of us would have done. I see an elderly fan at the game weep. She knows. The next day no one in Tulsa cares. I’m glad I am not in Chicago.

I am 31. I’m a carpenter at a regional theatre in Chicago. Me, the Master Electrician, and other carpenters devise a game called Tapeball. You get three pitches. And swing from the stage. My first hit knocks the tapeball into the small open window of the stage management booth. The area designated as a Gland Slam. It is a perfect moment. 11 years later I’m living with said former Master Electrician.

I am 7. Standing behind the outfield wall for the OKC 89’ers.  Waiting for HR balls or fouls. One comes. The bigger kid gets it. Baseball sucks.

I am 38. Same playwright friend and the luxury box. We talk shop. I stealthily get drunk. As in two of this and that. All the while thinking, I’ve only had two, period. I get home (train). Drunk, I pitch email two stories to my friend. He bites on one. I have to go back and read the email to see what I sent. 4 years later we have a major play going up. People are asking for the screenplay.

I am 32. I go see a Kane County Cougars game. Willie Harris is playing. Years later, he will score an important run in the Sox World Series. I sunburn so badly wearing my tank top, tan lines last for almost two years.

I am 36. I’m with Kurtwood Smith from That 70’s Show at Wrigley. He’s in town doing a movie. I directed him in an indie 2 years ago. We sit behind home plate. He turns and says to me, “it’s good to know the owner of the Red Sox.”

I am 17. Walking out of a movie theater with Tim Houchin and the Beatty twins. Baseball is not even a fleeting thought. We’ve just seen Robocop. I’m gushing about an actor named Kurtwood Smith.

I am 40. Wrigley. It’s April. Jeff and I drink hot chocolate. A foul ball is hit my way. The woman in front of me deflects it, changing its angle. The ball nearly breaks my finger.

I am 34. I’m driving home listening to the Cubs on the radio. A game winning homerun is hit. Santo does his verbal pyrotechnics. I do a fist pump and honk my horn. At the same time the driver in front of me does the same. I pull up beside him. We give each other the thumbs up. It’s good to be alive.

I am 30. In Canadian wine country, I’m on my honeymoon. We see a Jays game. Leaning back you can see the entire ring of the nearly empty stadium with the CN needle tower looming in view. 11 years and 27 days later is the 1 year anniversary of our divorce. Jeff sides with my ex.

I am 40. Watching from the conference room on the big screen. DeWayne Wise goes up against a padded wall and robs a homerun from Gabe Kapler. Two outs later, Buehrle finishes throwing a perfect game. On my birthday.

You read "The Long Season – My Baseball Memories" by David Scott Hay. I am 42.

DSH is the author of the postmodern literary novel FOUNTAIN*  as well as two genre books Cloning Christ and FALL: The Last Testament of Lucifer Morningstar as DS Hay (clever, huh?).

He is currently co-authoring the Civil Rights play THE MARKER with David Barr III and Glen Jeffers, slated to premiere Feb 2012. david@davidscotthay.com